Photography News

Grey Heron In Action Photo Wins 'Photo Of The Week'

DIGITAL PHOTOGRAPHY NEWS FROM ePHOTOzine - Mon 18 May 2026 12:39pm

 

The well-timed photo by NigelKiteley of a Grey Heron has been crowned our Photo of the Week winner on ePHOTOzine. This wild action shot is superb and interesting, and shows the heron with its brown rat prey gripped in its open bill at a lake in Milton Keynes. The sharp focus captures the heron plumage alongside its catch, with the soft blurred background helping isolate the main subject and highlight this incredible moment of British wildlife photography.

Every Photo of the Week (POTW) winner will be rewarded with a Samsung 128GB PRO Plus microSDXC memory card with SD adapter, providing top-tier storage for all your creative needs across multiple devices. But that's not all! In January 2027, we’ll crown our 2026 Photo of the Year winner, who will take home the ultimate prize of a Samsung Portable 1TB SSD T7 Shield, courtesy of Samsung. It’s time to shoot, submit, and showcase your best work for a chance to win these incredible rewards!

Categories: Photography News

Top Tips On How To Photograph Lighthouses And The Detail On Them

DIGITAL PHOTOGRAPHY NEWS FROM ePHOTOzine - Mon 18 May 2026 12:32pm

 

1. Gear Suggestions

Your normal kit is fine for many shots, but if you can't get close you will find that the telezoom might be worked harder than your wide-angle or standard zoom. Because the sky will almost certainly feature in your compositions, you should find room in the camera bag for a polariser. A warm-up would be handy too.

If you're taking shots inside a lighthouse there may not be room for a tripod, however, there should be plenty of room for a support outside it. Something light-weight will be easier to manage than a heavier model, especially when walking upstairs with it in or fastened to your bag. Talking of bags, as space could be tight, you want a bag that's easy to access and doesn't take up too much room. 

 

2. What Time Of Day Is Best? 

At this time of year, the light can be quite harsh and as most lighthouses are white (and red or black) the high contrast can be a real nightmare. On really bright sunny days, you might be best advised not to waste your time until the sun is shielded by some cloud or just waiting until later in the day. Obviously, much depends on how much time you have to hang around.

Lower, warmer light will undoubtedly give a more attractive end result and you and enhance that warmth with a warm-up filter while a polariser will enrich a blue sky. Late in the day and exposing for a brightly lit structure you might find that a saturated sky will result anyway so keep an eye on the preview image.

 

 

3. What Detail Will I Find? 

Zooming in with a telephoto and picking on detail is fun to do, although if you shooting externally you might find that there is precious little detail to enjoy apart from a few windows. If you are on a tour visit you have more opportunities – except that you might not have that much time and space because of being in a group. Shoot quickly in this instance and do your best to crop out fellow visitors.

Other techniques to try might be to shoot sections of the lighthouse for a 'joiner' image when you get home to the computer. You could also shoot a vertical panorama and merge the images during post-production. For a vertical stitch, you probably need to be further back with the telephoto to get a straight-on perspective rather than angling the camera upwards.
 

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Categories: Photography News

One Tuscan Morning, 12 Different Images: How to Read the Light

FStoppers - Mon 18 May 2026 12:03pm

Shooting the same Tuscan scene for two hours straight and walking away with a dozen completely different images isn't luck. It comes down to reading how light moves across a landscape. 

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Categories: Photography News

Why Returning to the Same Location Over and Over Makes You a Better Photographer

FStoppers - Mon 18 May 2026 10:03am

Returning to the same location dozens of times sounds like the opposite of creative growth, but it might be exactly what separates good work from great work. The conditions you encounter on any given day, the light, the weather, the season, shape the image more than the location itself ever could. 

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Categories: Photography News

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